Grand piano price list

LOCAL PRICELIST FOR GRAND PIANOS (WEST MALAYSIA)
CHALLEN/C.STEINBERT
Grand Pianos
RETAIL PRICE
Models
EBONY POLISH (E)
MAHOGANY / WALNUT POLISH (MW)
DG146D (4'8")
23,710 (E)
24,710 (MW)
DG152D (4'10")
26,000 (E)
27,000 (MW)
DG165D (5'4")
28,140 (E)
29,140 (MW)
DG185D (6')
32,860 (E)
33,860 (MW)
* Prices on all DG models are inclusive of Abel Hammers. Optional for other models and at RM500/- upcharge if required
HAILUN (China Top Brand Piano Manufacturer)
Grand Pianos
RETAIL PRICE
Models
HG-161 (5'4")
32,370

HG-178 (5'11")
36,510

HG-198 (6'5")
55,140

HG-218 (7'2")
82,465

PETROF (Czech Republic)
Grand Pianos
RETAIL PRICE
Models
PE V (5'3")
163,240

PE IV (5'8")
182,560

PE IV Chippendale (5'8")
194,570

PE III (6'4")
187,620

PE Pascat 210 (6'11")
252,140

PE Monsoon 237 (7'9")
276,290

WAGNER (Renner Type Action- China)
RETAIL PRICE
Grand Pianos
HG 151 Monarch (5')
30,710

HG 161 Monarch (5'4")
32,370

HG 178 Imperial (5'11")
36,510

HG 198 Imperial (6'5")
55,140


Terms & Condition





1. Deposit 50% of purchase price will be required order confirmation.
2. Balance 50% before delivery
3. The above prices subject to change with or without prior notice

Upright piano retail price

LOCAL PRICELIST FOR GRAND PIANOS (WEST MALAYSIA)
CHALLEN/C.STEINBERT
Upright Piano
RETAIL PRICE

EBONY POLISH (E)
MAHOGANY / WALNUT POLISH (MW)
MP-109L (Beginner model)
RM8,090 (E)
RM8,370 (MW)
MP-112T (Beginner model)
RM8,530 (E)
RM8,810 (MW)
MP-112F (Beginner model)
RM8,740 (E)
RM9,030 (MW)
MP-118T (Beginner model)
RM9,140 (E)
RM9,430 (MW)
MP-122TD (Exam model)
RM9,840 (E)
RM10,130 (MW)
MP-122FD (Exam model)
RM10,060 (E)
RM10,340 (MW)
MP-125S* (Prof. Model)
RM10,790 (E)
RM11,070 (MW)
MP-132TD** (Prof. Model)
RM11,570 (E)
RM11,860 (MW)
MP-132FD** (Prof. Model)
RM11,790 (E)
RM12,070 (MW)
MP-U52SSD*** (Prof. Model)
RM14,190 (E)
RM14,470 (MW)
* - comes with Japanese Imadegawa hammers
** - comes with German Abel hammers and bass section terminated by agraffe.
***- comes wz German Abel hammers,European Ciresa Soundboard,sostenuto pedal and bass section teminated by agraffe.
Others comes with special Japanese felt hammers.
HAILUN (China Top Brand Piano Manufacturer)
Upright pianos
RETAIL PRICE
Models

HU-122 (48")
RM13,800

HU-125 (50")
RM15,110

PETROF (Czech Republic)
Upright Pianos
RETAIL PRICE
Models
PE 118 P1 (47")
RM46,680

PE 125 F1 (50")
RM50,840

PE 131 E1 (52")
RM70,340

PE 135 K1 (53")
RM85,940

WAGNER (Renner Type Action- China)
Upright pianos
RETAIL PRICE
Models
HL 122 Monarch (48")
RM13,420

HL 125 Imperial (50")
RM14,730

HL 128 Imperial (51")
RM16,040

HL 132 Concert (52")
RM21,660

YAMAHA/ KAWAI
Upright pianos
RETAIL PRICE
Models
EBONY POLISH

Yamaha U1
RM8,500

Kawai BL12
RM7,500

Terms & Condition





1. Deposit 50% of purchase price will be required order confirmation.
2. Balance 50% before delivery
3. The above prices subject to change with or without prior notice

Piano Joke

C, E-flat and G go into a bar. The bartender says, "sorry, but we don't serve minors." So E-flat leaves, and C and G have an open fifth between them. After a few drinks, thefifth is diminished and G is out flat. F comes in and tries to augment the situation, but is not sharp enough. D comes in and heads for the bathroom saying, "Excuse me. I'll just be a second." Then A comes in, but the bartender is not convinced that this relative of C is not a minor. Then the bartender notices B-flat hiding at the end of the bar and says, "Get out! You're the seventh minor I've found in this bar tonight." E-Flat comes back the next night in a three-piece suit with nicely shined shoes. The bartender says, "you're looking sharp tonight. Come on in, this could be a major development." Sure enough, E-flat soon takes off his suit and everything else, and is au natural. Eventually C sobers up and realizes in horror that he's under a rest. C is brought to trial, found guilty of contributing to the diminution of a minor, and is sentenced to 10 years of D.S. without Coda at an upscale correctional facility!

Restoration process

1. Decision to go forward
Our excellent customer service begins with a follow up to a request by phone or e mail to consider piano restoration or repair. Options for more information include: a home or on site visit or review of detailed digital images sent. If the piano is out of town arrangements for an outstation technicians will come and inspect the piano. Potential customers are welcome to visit the Wagner Music workshop to see all processes prior to making a decision.
2. Transport to workshop
We offer our services locally and as a nationwide piano restoration company. When the decision to go forward is reached, professional movers/shippers are offered to the piano owner. Wagner Music provides the services removals in the West Malaysia, East Malaysia, Singapore and abroad areas.
Long distance shipping is quite easily arranged by any major carrier. It is important to insure any piano being moved for full insurance coverage. For such information the piano can be appraised prior to shipping. We strongly urge customers not to accept non professional piano movers.
3. Notation and breakdown
A complete set of technical notes is taken, documenting the original condition of the piano. Technical measurements useful in the rebuilding of the instrument include:
String height
Bearing
Key height and dip
Down and up weight of keys
Friction and action ratio
Plate orientation and many other important details
Original finish samples are carefully saved for reference
These notes are used for reference in the rebuilding process.
4. Belly repair and restoration
The belly includes the piano soundboard and ribs, pin block, strings, tuning pins, belly rail and plate (iron frame) and damper system. The belly system is of great importance to the piano. The soundboard is sometimes called the “soul” of the piano. As such we consider soundboard repair and conservation of great importance and relevance to our process. Two options are offered in belly restoration.

The first of which is to restore the existing soundboard. The second is to replace the board with a custom duplicate made by a prominent soundboard manufacturer. Determination of soundboard repairs is based on the existing “crown” (forward shape of the board…a diaphragmatic condition which allows the board to adequately move air in responce to string vibration and frequency transfer appropriately) and the amount of repair in terms of cracks, loose or flattened ribs, or other negative conditions. Many soundboards can be successfully repaired and remain effective following restoration.


5. The Finishing Process
After the piano has been carefully disassembled, each cabinet part is stamped with the piano serial number for secure identification. All cabinet parts are hand stripped, i.e., finishes are removed by application of a non-flammable finish remover. Our process does not ever include “dipping” of finishes for stripping purposes. We feel that the dipping method, while faster and more economical, causes problems--fine woods swell, veneers come loose and rich wood tones can distort and bleach. Piano rims are made of several layers of solid wood sheaths that are laminated together during a rim forming process when the piano is first made. Following construction of the rim a veneer surface is applied. This surface may be of mahogany, walnut, rosewood or other fine wood type and gives the piano its wood tone and appearance. Although some pieces or cabinet parts may be of solid wood construction, most parts of the piano are veneered. Sometimes veneers come loose or are damaged. All wood surfaces are carefully checked for proper adhesion and any possible damage prior to the staining and sealing process. Loose edges, chips, burns, water or other damage are repaired and the piano cabinet is made ready for the finishing process to follow.Grain filling: Grain filling is the first step in the finishing process. Grain filler is a thick paste intended to backfill wood pores, which will be the first step in a smooth and flush closed-pore final finish. Ultimately this finish became known as a "piano" finish in the wood finishing industry. Staining: Wood surfaces are stained to a custom wood tone or the classic ebony finish. Stains are sometimes applied in stages to allow for the desired wood tone and texture. Lacquer Sealer: Lacquer sealer coats are applied to seal the filler and stain and act as bond and barrier to the lacquer finish coats to follow.Lacquer Finish Coats: Final finish coats are applied. Wagner music lacquers are extremely high quality and custom blended for a fine piano finish.



Finish Burnishing: Burnishing or “rubbing” of the final finish completes the refinishing process. After final curing, the final sprayed finish is meticulously hand sanded to a 2000 grit abrasive number. This process takes two to three days while finishers sand by hand from 600 grit to 2000 grit levels by hand and rub the fully sanded cabinet parts to their final luster with oils, pumice, rottenstone and ultrafine steel wools. This classic piano finish is only attainable by this method. A beautiful, softly glowing patina is the final result of the finishing process.
6. Keyboard Restoration
Piano keys rest upon a keyframe. The frame consists of a series of three rails and two complete sets of keypins. Piano keys pivot at the center rail keypin and travel to the bottom of their travel at the front rail keypin. The frame is the base for the keyset and as such is responsible for key level and shift during una corda play. It is the basis for power transfer and a desirable piano touch. The keyframe is carefully “bedded” to the keybed in a process of keyframe glide regulation and fitting of wood surfaces between the underside of the keyframe and the keybed.Cleaning and Re-felting of the Keyframe: The keyframe is cleaned and checked for proper integrity of all components including the slats and rails, glides and keypins. Keypins are made of metal and are a typical source in older pianos of unnecessary friction. Pins are polished to remove corrosion and dirt in a two stage process.High quality balance rail and front rail felts are installed. New keyfelts rest upon a series of paper and cardboard regulating punching.New backrail cloth is also installed at this time.Piano Keys: Piano keys are made of conifer or soft wood varieties; typical is sugar pine and some are spruce. The piano key is the vital link between pianist and piano. Although from the outside not much meets the eye beside the appearance of the keytop surface, inside the piano the key is acting as a long lever arm, balancing at the center rail (also known as balance rail) and engaging the piano action. Key travel is guided by the key button and front mortise, both of which have felt bushings installed. Key bushings are replaced and regulated as part of the rebuilding process. At the end of the key are the capstan and backcheck. Capstans are polished to reduce friction and backchecks are either re-conditioned or replaced.Keytops: These may be original ivory. If desired, Wagner music can restore original ivory keytops, repairing chips as needed and re-gluing ivory surfaces. If too many flaws exist in the ivory keytops we may recommend replacement with new quality synthetic coverings. Ebony or “sharp” keys are refinished in our custom ebony lacquer.
7. The Action:
The piano action consists of hammers, hammer shanks and flanges, repetitions or wippens and wippen flanges. These parts work together to bring the hammer to the string. Piano hammers are a major component of the sound of the piano. As such we use only the finest piano hammers including Steinway, Abel and Renner. There are other excellent choices. The repetition or wippen is a small but complex mechanism which act as the mechanical link between the key (brought into play by the capstan) and the hammer (engaged by the knuckle). Once the action parts have been installed they must be regulated.Action Regulation: Piano regulation is a lengthy process which includes many adjustments. All regulation adjustments are intended to optimize the touch or feel and response of the piano. Included in the regulation process are key easing, squaring, spacing, level and dip, alignment of wippen cushion to capstan, jack spacing and alignment of jack tender to let-off button and jack top surface to knuckle. Repetition lever height, repetition spring tension, hammer alignment to strings and hammer travel are adjusted.
Blow distance and key dip are regulated for best aftertouch. The regulation process includes work with the keybed and keyframe, keys, repetitions or wippens, hammers and the damper system. The entire process is one which is refined and repeated until the complex mechanisms of piano operate at peak efficiency.
A Wagner Music Technician inspects jack alignment to the knuckle and repetition spring tension for precise escapment and repetition. Each piano action is bench regulated and fully checked inside the piano cavity. Every regulation procedure must pass inspection for pp-ff dynamic expression and precise repetition.


Hammer Shaping and Voicing: New piano hammers require shaping and voicing. Shaping is a process of filing surface felts which are under tremendous pressure to remove the cupping shape which is a result of the manufacturing process. Shape contributes to sound. Voicing is a process of adjusting the tension of the hammer felts in order to allow the hammer to produce a full dynamic range and pleasing sound quality. This is done by needling, filing, ironing or lacquering the hammer felts. Successful voicing requires expertise.
8. Final Prep
Completion of the piano restoration process involves looking carefully at everything that has been done to date. This includes finishers checking the finish and performing a final burnishing and rub of the finish and polishing. Details of importance include a smooth and even finish and solid edges. Final assembly: A technician re-assembles all cabinet parts and installs beautifully re-plated brass or nickel hardware. Legs and pedal lyre are attached, pedals are regulated to the damper system. The name or “fall” board is carefully installed and all functions of the piano are fully tested. Tuning completes the process.
9. Return to Client
Wagner Music provides the guarantee to safely return the client’s piano safely. Our shop specialist witll supervises packing of the piano and we follow-up with the re-installation of the piano. Local return shipping can be arranged with Wagner staff and we are also able to recommend preferred piano movers.
10. Aftercare
We are keenly interested in the pianos that have been restored at Wagner Music Shop. Piano Technicians from our shop are available to our clients for follow-up tunings and regularly scheduled maintenance. Follow-up tuning and regular check-ups are suggested as good maintenance as recommended by Wagner Music Shop for the continued health of these fine instruments.

Piano cleaning

Pianos become dirty because of exposure to the atmosphere, indoor polution from cooking oils, smoke, pet dander, spills and other accidents. It is normal for a piano to need cleaning after some period of time.

A Chicago Piano Service Specialist will clean the soundboard, strings, keyboard, action, action cavity, cabinet, plate, tuning pin area and more.
Hammer felts are vacuumed, brushed and sometimes filed to restore a clean surface.
Light rust is removed from treble string surfaces.
The sounboard is cleaned with a gentle solution and soft clots are inserted between the strings to gain access to these hard-to-reach areas.
The tuning pin area is carefully brushed with soft bristles and vacuumed. The keyboard and action are retracted from grand pianos to expse the inner keybed cavity where debris collects for years.
The entire area is vacuumed brushed and thoroughly cleaned.
The exterior cabinet is cleaned and polished.

Dirty pianos can pose a health risk, as common allergens can collect for years: dust, mites, pet dander, smoke and mold. Some of these allergens become airborne as the piano is played, released into your home by the hammer striking the string.

Piano regulation

Regulation is the process of optimizing the piano action to provide the best response to our touch. In a sense regulation is the optimization of touch and tone. A piano that is out of proper regulation can have sluggish repetition, uneven tone, a deep and sloppy touch and an inability to play gently or softly. A fine regulation will result in an even touch whereby the piano action responds to the playing of the keys in a like manner throughout. Power and control is restored. We use words like aftertouch to describe the sensation at the end of the keystroke at the very moment of sound.

Our regulation procedure includes inspection and cleaning of the piano keyframe, keybed and action. Adjustments of key height, dip and level, key travel and spacing, hammer alignment, spacing and travel, all major action alignments, timing and synchronization of let-off and drop, repetition spring and repetition lever adjustments and a host of other fine alignment and related adjustments.

Regulation improves touch , tone and responsiveness of the piano and provides a positive musical experience

Piano tuning

Piano Tuning is a process and procedure which ultimately alters the pitch and timbre of our instrument. We use tuning as a means to positively change the intonation of the piano to best suit our standard of equal temperament and compliment the diatonic scale.

Because it has been determined that the equal tempered scale is the most acceptable configuration for our musical traditions, we have long designed our pianos to work best with this standard.

Piano tuning is therefore the physical manipulation and movement of the approximately 209 tuning pins which will in turn alter the tension of the wire which is attached to each tuning pin, in order to alter pitch, either higher (sharp) or lower (flat). Each note is “set” at a place which contributes to an overall formula for the distribution of frequencies and beat rates that we find most pleasing to our ear